There’s a risk in every opportunity, especially if you make those opportunities yourself. H. Master Ice keeps the rap alive with, Cant Escape the Risk.
mTalking about geographical disadvantages, H. Master Ice’s raps still flourish with a timeless ring.
M&A is a dream career field for many and a reality for few. H. Master Ice lays down a track with some quotable lines, about getting money together and a couple of financial recommendations. Check out this rap and download, M&A (Personal Finance) by H. Master Ice free today.
H. Master sets the tone for the New Year, 2013 with this rugged track, Ice Reigns. I-C-E lets you know that he’s the baddest, on this excellent rap track. H. Master Ice takes this one out of the park, as he further establishes himself as a contender for the best in the Big Leagues.
Look forward to some really big records from H. Master Ice coming in 2013.
You can find and be aware of great music on line. Sometimes, you might flip a rock and find a piece of gold. You have now come across an H. Master Ice gem. Listen to H. Master Ice’s Don’t Want to Give Another a Chance.
H. Master Ice has the charisma and talent to be the next rap superstar.
Add, H. Master Ice’s, premiere hit single Don’t Want to Give Another A Chance to your Itunes library today. If you dont have an itunes account, download H. Master Ice’s, Dont Want to Give Another A Chance , securely at Amazon.com.
“Ridin’ through my city, If I know you, you know me”. H. Master Ice keeps it cool on the hustle scene on a track from 2008, “Game Sold”. Old School flavor at its finest. Peak time in the prime, H. Master Ice likes to collect and collect.
H. Master Ice pictured, breaking from his daily grind in 2007.
Download “Game Sold”. Classic flow from H. Master Ice “New Sound, Same Rhythm”.
Today, hip-hop is a lower form of rap music. Raps can be either written or freestyled. Once a rap has been written the song is not in any form a freestyle. A freestyle, by my defining and the proper meaning, is a rap that performed without reference to a script, non-premeditated, and purely improvisational. People who do not have the skill to freestyle try to excuse many written raps for being freestyles.
Freestyling is a unique skill that takes consistency and a high ineptness to quick thought and people labeling written raps freestyles may well be an insult to the listener; an attempt to deceive the listener. People that do not have and havent had the skill to freestyle, may call a freestyle a written rap with no main topic, in order to try to get the credit for freestyling. A written rap with no main topic is simply a rap with main topic, not a display of the impromptu talent of freestyle rapping. Giving a person who writes music a freestyler’s credit is a mistake and the listener shouldnt credit the people who write rhymes as freestyling.
Some, mainly young hip-hop rappers and not talented older or veteran rappers, label their written raps as freestyles in an attempt to intrigue the listener. The rappers in turn lose credibility for being original and honorful to the art of rapping. Arguments have been seized of a freestyle being a written rap performed to a previously recorded or renown instrumental. A rap song is either freestyle’d or written. Once the rap has been written, the song cannot in any form, be a freestyle, regardless of the instrumental beat the raps performed to.
A lot of people do not have the skill to freestyle. So people should acknowledge that the listeners are aware that the rhymes are written. Nothing wrong with writing, something is wrong with giving undue credit.
“SUPERIOR REPUBLIC” freestyle by H. Master Ice.
Once rappers realize that mislabeling their written raps as freestyles is insulting the listener, then a restoration of the art of rap music will have begun.
Publicly, people are known to be people of interest when having had a contact or access to one famous. What makes a superstar can be noticed in a simple exchange of conversation. The display of unauthenticated rhymes, outfitting, and the regressive imitation of previous celebrities identify the per capita unsuccessful musician. A superstar knows if the dreams of fame are attainable, while the imitators play the lotto like a card game with a deck stacked with familiar sounding rhymes and practiced mockeries of famous stars. The greatest icons, in the rise to super-stardom, become leery to releasing content that can be easily accessed by the practitioners of mockery because the unauthentic aspired musician or artist has no idea of greatness, only what they have seen some one accomplish; so when the rising icon released new material, or artwork, the up coming star is capable of gaining the masses’ patronage, if can emerge from the imitators as unscaved and UN-imitatable.
In junction to accessibility, resources must be considered as imperative to profitable contacts. Communication can become redundant when no contract nor deals are negotiated. Any relevance of free goods and services are a masquerade to a powerful and potent maneuver to acquiring a repeat financial patron. Greatness has a patent and the formula has certainly not been revealed. So, in your quest to find an heir to complimentary dues, be aware of the wavering imitators as the Master reigns.